Miller’s Crossing

One of my all-time favourite films, Miller’s Crossing, has finally been released on DVD. I bought it yesterday along with Barton Fink, which also was released on DVD. Miller’s Crossing to me is the Coen brothers masterpiece (to this point). It’s a film that manages to strike a difficult balance between comedy, drama and genre all while not falling into any predictable pattern. I’ve watched it many times and I continue to enjoy it more. On the surface it’s a noirish, gangster melodrama, but it features the Coen’s ability to construct characters who defy and are defined by their ethnicity, sexuality, and moral codes. John Polito’s speech in the first scene of the film encapsulates the entire moral universe of the film and neatly sums up the dilemma: “It’s about ethics.” The speech and the choice made in that scene kick off the action and the world and complex relationships start to be revealed to us. I actually have the shooting script and after I read it I started picking up even more. Part of it is due to the rapid-fire dialog. Part of it is due to the complicated structure and relationships, but it’s still a joy to watch.

The DVD isn’t exactly packed with extras, but it does feature some interviews that would have been part of the electronic press kit from over a decade ago. It’s neat to see what people are saying about the film and the Coen’s (who had previously done the dark “Blood Simple” and the lighter “Raising Arizona“). There is an interview with Cinematographer (and now Director) Barry Sonnenfeld about shooting Miller’s Crossing as well. Unfortunately there isn’t a commentary track, but it doesn’t really need one, does it?

May 21, 2003 , , , , ,

The Matrix Reloaded

The Matrix is a hard act to follow. My first exposure was through the Web site that was set up that posed the question “What is the Matrix?” It was a brilliant piece of marketing — you had to give your email address and then received a password that gave you access to the site. The other brilliant bit of marketing was that they commissioned comic artists to create stories set in the world of the Matrix and available online. They established the world and didn’t take away from the film. The first film itself is a unique combination of kung fu, sci-fi, philosophy and melodrama… it’s fun and makes you think a bit too… not as deeply as the volume of discussion would have you believe, but more than the usual film filled with shooting.

The marketing for Reloaded has been pretty much unavoidable. There is a DVD of Anime related to the film coming out next month but it started on the Web leading up to the release of this film. The DVD of Reloaded apparently comes out in October to build up for the final chapter Revolutions in November. The theatre had lots of people in leather jackets and sunglasses and the distinctive Matrix letter cascade was all over the windows with green streamers all around as well. I don’t think that the other summer films will be able to challenge the film, despite the marketing efforts.

I really liked Reloaded, but it took me a little while to get into it, but then it had me and overall it’s a different film (but not as different as a sequel as X2 was). One early theory that I have is that the film will probably split audiences down the middle, based on what they enjoyed in the first film. If they loved it mainly for the action, they’ll probably not like the sequel as much, if they liked the philosophical elements they’ll probably like the sequel. Just so you get the philosophical aspect there is a camero by American philosopher Cornell West and a philosophy section on the Web site!

The structure of the film is fascinating, but I’m not going to recount the plot (don’t you hate reviews that do that)…and I’m not going to spoil it either. Part of the enjoyment of the first film was having a world revealed to you and that’s part of the pleasure in the second film as well. One very cool thing that I noticed as an editor is a very neat pattern of cross-cutting that condensed and combined things across time and space in a way that I was in awe of. So much information so efficiently.

The film overall has great action sequences and it makes you realize that a good action sequence is a combination of writing, shooting, editing and acting. What’s important is that you understand what is going on and that it sucks you into the world. If you don’t buy the conceit or the melodrama, it can be tough (like a John Woo film). While it took me a little while to get into the film (I was thinking, “OK, I’ve seen this before.”), the new stuff (with an exception that was a very 15-year-old geek fantasy-like thing) was better than I expected. The world and the story expanded a bit and it did manage to make me think some more. I guess I’m a sucker for an action film filled with love, honor and sacrifice.

May 15, 2003 , , ,

Comedian

I watched the documentary “Comedian” last night. It’s about Jerry Seinfeld putting together a new act. It’s a fascinating glimpse into the creative process. I’ve always liked Seinfeld’s standup and I’ve watched “Seinfeld” for years and still catch episodes almost every day. The documentary was directed by Christian Charles, who seems to be a first-time director (at least according to IMDb) who also shot the film with Gary Streiner (who was Producer) and Mark Plumber. A great soundtrack links the film together and it features a smooth editing style (by Chris Franklin) that weaves together Seinfeld building a new act with up-and-coming comedian Orny Adams.

It’s a rare look at how comedians are like musicians, practicing and honing jokes until they work and then expanding their set with more and more solid material. Seinfeld thinks a lot about this stuff and it’s interesting how he put himself through the way it used to be to assure himself that he still “has it.”

Carolyn summed it up in an odd way in that the film is kind of like “Heart of Darkness” with Bill Cosby as Kurtz… maybe it could be called “Heart of Lightness”…

May 14, 2003 , , , , , , , , ,

Omni Outliner

One of the things that happens quite often is that you don’t notice the things that are always in front of you. That’s what has happened with Omni Outliner from the Omni Group. I registered it last year and use it just about every day. I started using it because I needed to organize a bunch of information for a report that I was working on. I was able to structure and write the bulk of the report and then move it into another program for laying stuff out. I really like working in the outlining mode as it helps me structure things and flesh them out. At some point I think that I’ll be using Keynote to create support material (but I’m waiting for a teacher deal like the one that was available in the U.S. for Keynote and iLife together), and I can export my outlines to Keynote to become presentations. Now I make lesson plans with it and use it for all sorts of planning…I’m just starting to use styles with it to make the outlines look better. It’s simple, well-designed and powerful. The only downside is that I also use Omni Graffle which I registered at the same time, but the latest version of Outliner doesn’t work with Graffle…before I could drag and drop an outline onto Graffle and get a neat diagram…but I’ll have to upgrade to the latest version of Graffle to do that again. But Graffle is still great for creating all sorts of graphics, but the update adds a lot…

The most inspirational part of using Outliner is the user community… the application is filled with features that I keep learning about through what other people are doing. The column adding features have made me think of using Outliner to keep track of student marks. Some people use Outliner for project management or accounting and there is a whole page filled with samples that you can download from the extras page.

May 12, 2003 , , ,

Zoë

I was playing a bit with an application called Zoë which I first read about in an article last year by Jon Udell called “Googling Your Email”. It seemed like a neat idea, but I didn’t bother to download it and try it out. The Web site is enigmatic with a manifesto and a bare minimum of documentation. It was created originally by Raphaël Szwarc who now has other developers helping him with it. While “Google for email” is a good starting point, it’s a lot more than that. Under OS X the installation is incredibly simple and involves double-clicking on a Java application which starts it running and then clicking on more links to configure things. It sucked all of my mailboxes in… it took a while as over the past few years I’ve moved from Claris Emailer to Eudora to Mail.app and imported my mail from all of the accounts… so I’ve got several years of email stored in the mailboxes.

The greatest thing about Zoë is how everything shows up through a Web interface. You search and can click on links that sort and subdivide even more. In just a few minutes I was able to find all sorts of different connections that I hadn’t made before and surfed around through my old email. I often search through my email to find out what I’ve said or to find links that I’ve sent as well… with Zoë all of the links (and people) show up and can be used to find other connections. It runs as a Web server, smtp server, ftp server, etc, etc, etc. It lets you get attachments, messages and information from it. You can send and retrieve email through it and you can also keep using your regular email program. I think that I could end up using this a lot… I knew I was keeping my mail for a reason for all these years!

May 11, 2003 , , , , , , , ,

Bitdepth is 1

My first laptop was a Toshiba T1000 and it’s the first machine that really brought the Internet into my home and marked the beginning of my writing everything on a computer. I bought it from a professor of mine and used it to write essays and articles. It had 512 k of RAM with a memory expansion that could be used as RAM or to store 768 k of information or programs. There was only a 720k floppy drive and no hard drive. I used WordPerfect 4.2 which fit onto 2 floppies. In 1992 when I moved to Montreal to study I bought a modem (2400 baud) to connect to the Vax at Concordia to use electronic mail and telnet. One of the first hypertext programs that I used was Hytelnet. It was written by Peter Scott and it connected Telnet sites. This was before I used Gopher and before the World Wide Web. I used Telnet and Hytelent to do a lot of research at various libraries around the world. Then I organized things in a WATCOM database from the University of Waterloo.

Then I began looking at MOOs and MUDs to explore the fascinating culture of creating worlds and community through text. I really had a great time discussing postmodernity and cultural theory in the Postmodern Culture MOO which was the online component of the journal. It’s where I first had a voice online and began connecting with people around the world. Then it started to get more popular and a bit too crowded so I moved on to the BayMOO and then to the Diversity University MOO where I took an online course in Adult Education using technology.

The Web was (and still is) very exciting to me. I launched my first Web site about 10 years ago… right after I used Cello and Mosaic and found HTML to be fascinating. My first Web site had a rant about the film “Disclosure” and (as pretty much every site then did) a bunch of links to other sites. The site was hosted at an Antarctic research station Web site that had extra hard drive space. You just sent an email asking for space and they set you up. That was before the Web was commercial…and you could know most of the people who were around… and we were happy… and walked uphill to school in snow storms….but that’s a whole other story. Now a decade later I’m celebrating the first anniversary of my own domain and Weblog. Things have changed a lot in some ways, but not so much in others.

May 9, 2003 , , , , , , , , , , , , , , , , , , ,