Remembering the Web That Was

About a week ago my son asked me for some help with redoing his Web site. He’s seven years old and he likes to do things that everyone else in the family does and since most of us make Web sites that’s what he wants to do. He already has some locally hosted stuff. He wanted to blog so I set him up with Movable Type which he used a bit and then he saw me working on this site and he wanted to use what I used, which is Blosxom, so I set him up with Blosxom which kept him for a while longer. Then he wanted to change the look of the site and he asked me how I did it. He wanted to use HTML, like me, but I didn’t have time to teach him so I started thinking about the books in the computer bookcase and thought of Jennifer Niederst‘s Learning Web Design. I gave it to my son and he started reading and coding with BBEdit. Then he wanted more control over the look and layout of the site and asked me how I did that. I told him about CSS and then he wanted to learn about that and I discovered the CSS palette in BBEdit that makes things a bit simpler.

This got me thinking about how things were when I started making Web pages and how wonderful it was when I found out how to do things. The first book that made things easy and understandable was the now out-of-print Designing for the Web. I still have the book and it actually holds up pretty well. It was my constant companion when I first started teaching Web design to people. Then I moved on to Web Design in a Nutshell which is still my favourite printed reference.

Now I don’t read a lot of books about basic stuff since I’m trying to do more with CSS and focussing on the content and less on the presentation since sometimes working on the look is a great way to delay writing. It was neat in the old days because there weren’t as many Web sites and many of the questions weren’t “how” to do something, but “if” something was possible to do. It was fun because everyone was learning and trying things out. There was the constant push to cut things down and to wrap your head around a different way of thinking to code stuff. Now I code stuff by hand with BBEdit’s help and I really like it. I’m closer to the code and by trying to code stuff cleanly and to standards it isn’t as big a deal to do a redesign in terms of needing to redo lots of pages.

I’m also realizing how many design and coding principles that I’ve assimilated into my own practice. I don’t look a lot of stuff up and firmly separate out the content from the presentation. In a funny way I think that many of the practices that I follow are all aligning… the same for thinking about teaching, editing, writing and creating almost anything. I think about what to say, how to say it and then playing around with the presentation. The simple version is “think, plan, make it work, and make it pretty.” When I don’t follow that process is when I get off topic and spend more time exploring a technique and less time exploring ideas.

Seeing my son build his pages made me remember how wonderful it is to see something appear in a browser after you code it. The sense of wonder that made the Web so special. The amazing feeling of seeing a new page and figuring out how it was done and checking out the code to confirm what you thought. In some ways it is a bit of magic – seeing behind the curtain at the machinery inside. I’d forgotten about a lot of that and now I’ve got a little bit of it back thanks to my son asking a few questions.

November 30, 2003 , , , , , , ,

American Splendor

I saw American Splendor last night and was very pleasantly surprised. It’s a wonderful mixture of drama and documentary that adapts Harvey Pekar‘s comic in a way that fits his style perfectly. I’d first seen Pekar and his work in Ron Mann‘s film Comic Book Confidential but I didn’t get any of his comics. I really regret that and will try to remedy that soon.

Shari Springer Berman and Robert Pulcini cowrite and codirect the film and it was one of the most amazing films I’ve seen in a long time. Paul Giamatti captures Pekar and manages to look like some of drawings of him… it’s a great performance which is made even more fascinating in a scene where they appear together. Pekar himself narrates the film and there are brilliant touches where archival footage is intercut with the actors. It works because it’s a film about a comic that is the story of everyday life…but the comic isn’t real life with everything…just the interesting and true parts, which is what the film does as well.

Pekar is a gifted writer who has an amazing eye for detail and what is important in a situation or a person. He documents ordinary life and struggles in a way that makes me wonder about why spectacular stories seem interesting when there are so many profound and important things that happen around us.

November 25, 2003 , , , , , ,

People Like Us

One thing that I’ve realized is that while I have a bit of a background and interest in sound I don’t have a lot of sound-related stuff on the ‘blog. I do have images and lots of film stuff, but not much sound stuff outside of more traditional music at all. I’ve been fascinated the last few days with a radio show from WFMU, “DO or DIY with People Like Us
hosted by People Like Us who is Vicki Bennett. The show is a neat collection of offbeat music and collages created by People Like Us that I just love listening to.

I first heard People Like Us as part of the Illegal Art exhibition where her hauntingly beautiful track “Swinglargo” is included. I then saw the video “We Edit Life” that she was commissioned to make for Lovebytes. What she cuts and mixes together is clever and fun and with obscure references that I sometimes pick up and sometimes don’t, but always enjoy. She’s also profiled as a Featured Commoner as she’s a supporter of the Creative Commons project and is one of the people who suggested a sampling license. She has a very wide range of recordings available for download on her site, so you can listen and then buy some CDs. I’ve got to listen some more myself and buy some CDs. (But People Like Us also makes me want to do more with sound on my own too…the last thing I did was silent!)

November 18, 2003 , , , , , ,

A Personal Journey with Martin Scorsese Through American Movies

I just finished watching “A Personal Journey With Martin Scorsese Through American Movies” which was codirected by Scorsese and Michael Henry Wilson. In one of those odd coincidences I was looking through DVDs at a store and found this one by accident. I’d heard about the film and seen the book and always wanted to see it, but never spent a lot of time looking for it. When I saw it in front of me I had to get it and I’m very glad that I did.
While it is a 3 part series that is over 3 1/2 hours, but it seemed to zoom by. Scorsese talks about his deep love for movies and the movies that influenced him. What is great about it is that he does touch on some of the classics, but what is most interesting are the more obscure films and directors. What I realize as I see more films is that there is an amazing body of work out there that doesn’t get seen very often. Many times the most interesting work is happening in the margins or in the corner of a bigger film. The documentary alos has interviews with directors about their films and filmmaking. It is the beginning of another list of films and directors for me to explore. Scorsese is one of the great directors and is able to translate his deep love of movies very well to the screen in this documentary as well as in every film that he makes.

November 8, 2003 , , , ,