Confessions of a Dangerous Mind

Confessions of a Dangerous Mind posterGeorge Clooney made his directorial debut with an adaptation of Chuck Barris‘ “unauthorized autobiography” Confessions of a Dangerous Mind. It’s an inventive blend of documentary and drama that is anchored in reality, but what is reality anyway? The screenplay was written by Charlie Kaufman who seems to have done quite well with his other adaptation, Adaptation and this script also breaks the fourth wall and is at least partially about filmmaking and perception as well. While Clooney is known as an actor (and he does act in the film), he pulls off an amazing film that suits one of the most innovative television producers. Sam Rockwell plays Barris and manages to capture many of his mannerisms and his look, especially in “The Gong Show” phase.
I was a fan of “The Gong Show” and watched it far too often. While criticized as lowering the tone of television, now the work of Barris seems middle to highbrow. Barris had a sense of fun and an obligation to entertain that came through in the shows he made. Now the cynicism and lack of originality in “reality” television and much of television in general means that the criticism aimed at Barris in the past doesn’t even seem to apply. A fascinating part of the DVD is a documentary that features an interview with Barris himself that explores more of the man and his work.

March 26, 2004 , , , , , , , , ,

Mr. Death

Mr. Death Unofficial PosterErrol Morris is a gifted filmmaker who carefully constructs his stories in a deliberate and highly-entertaining fashion. Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. tells the story of the man who began by designing and repairing electric chairs and then moved into researching the use of poison gas in WWII Nazi concentration camps, which resulted in his downfall. It’s a fascinating story of how pride and vanity can take people into directions that you could not predict. As with all of Morris’ work it tells both the story and provides insight into the way that we construct reality and truth. The critical thing in any documentary or research is in asking the proper questions. Morris asked the right questions to tell the story and Leuchter did not in his illegal research which has been used to deny that the Holocaust occurred. It’s one of the best documentaries that I’ve seen in how it constructs the story and deals with so many issues and potential pitfalls in the story. Morris and his way of constructing a film is a source of inspiration for me and he’s influenced the way I see filmmaking because presentation and re-presentation of reality is much more complicated than it seems.

March 26, 2004 , , , , , ,