Blink

BlinkHow quickly can you figure something out? Apparently if you’re good at it, you can tell with very little information very quickly. Malcolm Gladwell explores rapid cognition and what you can figure out without really thinking about it in Blink. It’s remarkable how people can “thin slice” and look at minute (but significant) amounts of data and make decisions. Evolutionarily it makes sense that we have this ability to see small signs that could indicate danger and allow us to react, but generally most of us are not in life-threatening situations, but we still thin slice the data. One thing that I think that I’m good at thin slicing is a film. I’ll generally know if I’ll like a film within the first few minutes or even seconds. The title sequence and style of shooting or music will be enough. Why is that? For me I think that it is attention to detail. The story and feeling have to be just right with a film and if they get it right at the beginning, it almost always continues through. If they’re sloppy at the beginning of the film, they’ll probably not be careful with the rest of the film.
Thin slicing works with people as well. I usually can tell if I like someone right away (as I think most people can). How many times have you heard or thought “I don’t know what it is, but I don’t trust that person…” Some people can even tell if a couple will stay married based on a few minutes or even seconds of observation. Gladwell gives both positive and negative examples of when making a choice in the blink of an eye can save a life or end one. So many things in the world are tenuous, random and fragile and understanding how our brains work and how quickly we can know is a step toward making the world a better place. It’s fascinating to think about how just the right amount of data can enable us to know something without even consciously understanding why we have the feeling that we’re right.
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March 15, 2005 , , ,

A Very Long Engagement

A Very Long EngagementJean-Pierre Jeunet‘s films have a very distinctive look and an obsessive attention to detail that result in the creation of gorgeous cinematic worlds. I was completely amazed when I saw Delicatessen which was dark and funny. I also loved Le Fabuleux Destin d’Amélie Poulain, which almost seemed to be built around Audrey Tatou‘s eyes. In A Very Long Engagement (Un Long Dimanche de Fiançailles) we have a story that mixes both the dark and light in a feast for the eyes. You want to savour every frame. I’m a sucker for sappy romance done well and I was completely sucked in. Combining the darkness of World War I with a romantic story is a fascinating way to explore how war affects those who fight and those who are left behind.
For Jeunet it seems as if casting is a very important step and the actors, costumes, sets, and even the lenses and lighting are all perfectly matched. Any film with epic, sweeping shots risks alienating the audience as you look at the technique and lose the story, but I never dropped out once I entered the world. The frames of the film look as though they are painted, but it’s not a series of paintings. There are some wonderful moments between the characters with a diverse range of pseudo-archival photography and footage as well as seamless effects integration. A wonderful film that I’m glad I was able to see in a theatre.
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March 13, 2005 , ,

Sideways

SidewaysAt times when I was watching Sideways I felt as if I was watching an infomercial for California wine, but overall it’s an entertaining look at a somewhat unlikely friendship between a writer who teaches and an actor. One of the things that I liked about the film was that it didn’t go into depth about why they are friends, which is good. It’s not relevant to the story, so we didn’t see it. There are some nice subtle touches like that throughout the film which I appreciated. But there are also things that aren’t so subtle, so overall it’s not a great film, but a very good one. The characters and performances are finely-tuned with Paul Giamatti delivering another great curmudgeonly performance with a great chemistry with Thomas Hayden Church who manages to bring a bit of sympathy to his philandering character. There are some great moments between the characters as their deal with middle age, but occaisional lapses into slapstick are funny, but overall it could have been a bit shorter and more focussed on the characters instead of the situations.
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March 12, 2005 , ,

The Tipping Point

The Tipping PointI love Malcolm Gladwell‘s writing and while his best known and most influential book is The Tipping Point, I hadn’t read it until a few months ago. I picked it up because I knew that I was going to be reading Blink as soon as Carolyn finished reading it. The Tipping Point is a great exploration of the idea of rapid change and epidemics. It’s about people and ideas and how some things can rapidly change and other things don’t change at all. The way that Gladwell tells the story and explores the ideas is through fascinating people that he meets. What I love about the book is that it made me think about all sorts of things that I’ve been seeing develop lately from Moleskine notebooks to podcasting to RSS feeds to tagging. It’s fascinating to see how obscure films or web sites or ideas take hold and spread rapidly, even though they may have been dormant for a long time. Tracing this stuff is a lot of fun. I love it when you can apply ideas from a book to new things, which is probably an indication that the book is fairly solid and won’t seem to be dated as time goes by. I love the way the Gladwell thinks and now I’m reading Blink and loving that as well.
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March 5, 2005 , , ,

Breakfast With Hunter

The recent death of Hunter S. Thompson has probably prompted many people to watch the films connected with the good doctor that founded and practiced Gonzo journalism. I went looking for Where the Buffalo Roam and Fear and Loathing in Los Vegas, but they were all out, but they did have the documentary Breakfast With Hunter, directed by Wayne Ewing, so I rented that. At another video store I was able to get Where the Buffalo Roam, which I watched before the 2003 documentary about Hunter S. Thompson, so I was able to see Bill Murray’s interpretation and then the man himself in a documentary that I didn’t know much about. I was pleasantly surprised and saw a side of Thompson that I heard about, but hadn’t seen. The documentary follows Thompson through a drunk driving charge and the days before and during the shooting of the adaptation of Fear and Loathing in Las Vegas. The most fascinating scene was a visit by writer Tod Davies and Alex Cox who was slated to direct Fear and Loathing in Las Vegas where you see why he didn’t end up directing the film.
Overall Breakfast With Hunter is an entertaining documentary that gives you a glimpse at a rare writer who had fun while telling his stories.
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March 2, 2005 , , , , ,

Ratcatcher

RatcatcherLynne Ramsay is able to capture real moments between people. A big challenge when creating a film is to show character through action and not dialogue. In her first feature, Ratcatcher, she presents stunningly beautiful images that reveal the lives of people surrounding a boy in Glasgow in the 1970s. The film slowly reveals itself to us with crisp sound and disturbing scenes of the decaying conditions during a garbage strike. It’s dark, but beautiful and haunting. It sticks with you and you feel that you’ve really spent time somewhere else. Not a film for those who like tightly plotted, dialogue-driven films, but for those who like poetic, comtemplative works that suggest meaning and don’t impose it.
I rented the Criterion DVD and it also includes three short films by Ramsay: Small Deaths, Kill the Day, and Gasman that establish the look and tone that continues through her other films. Evocative work that is driven by emotion and ellipsis.
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March 1, 2005 , , ,