Skimskitta

SkimskittaThe very first online audio that I purchased was Skimskitta by Mira Calix. I found out about Mira Calix through a feature on CBC Radio 3 (click on the Mira Calix link on the Flash-enabled page). The sounds I heard there were intriguing as well as her process of creating ambient musical soundscapes with bits of sound from nature as well as electronic sounds. So I listened to the excerpts many times and kept my eyes open for any CDs. Eventually I found some, but they were a bit expensive. Then I found Bleep, which is Warp Records online digital music store. I was able to listen to all of the tracks on Skimskitta and I bought and downloaded the tracks.
It’s hard to describe what she creates. It’s ambient and rhythmic and I think that much of it works on a subconscious level. I have to be in a fairly receptive mood, but every time I listen I hear more. My absolute favourite listen to again and again and again track is I May Be Over There (But My Heart is Over Here). (If you have the Flash plugin installed you can listen to the track through an embedded player by clicking on the name of the track.) The emotion and progression of the sound is breathtaking. I don’t know how to describe it, but it’s as if she reached into my heart, transcribed the notes within and then constructed the sound so that it resonates in my soul.
technorati tags: , , ,

June 30, 2005 , ,

Sonic Outlaws

Craig Baldwin‘s 1995 documentary Sonic Outlaws tells the story of audio visual artists and rebels who increasingly are being threated by laws that twist the notion of copyright and creativity. One of the stories in the film is that of Negativland and their battle with Island Records over their amazing reworking and recontextualizing of some audio by Casey Kasem and some of the band U2‘s song, “I Still Haven’t Found What I’m Looking For”. The film is filled with appropriated images and sound and demonstrates the techniques through the interviews and excerpts from the work of the artists interviewed. Shot with a wide range of film and video formats (including the low-res Fisher-Price Pixelvision!), it’s a constantly-changing audiovisual feast with images and sound that tap into our collective pop-culture memory. It also is an important account of the folk-art roots and history of cultural commentary and collage.
Things have become much more challenging since the release of the film. The media and electronics conglomerates have clamped down much more both legally and technologically to prevent the recording and reuse of material. The “record” button on VCRs in the future will not be controlled by you! While the situation for artists now is not great, in Sonic Outlaws we see those who fight for the right to remix and reuse and they do it with skill and humour.
technorati tags: , , , , ,

June 29, 2005 , , , , , ,

The Art of Project Management

The Art of Project ManagementScott Berkun is my favourite writer of essays on managing people. Through the essays on his site and his essential PM Clinic mailing list, you can seek out, find and share advice on the best ways to manage people and successfully complete projects. He’s now written an amazing book, The Art of Project Management, that collects and distills years of experience and knowledge into an entertaining and comprehensive package. I feel as if I’ve taken a whole course in project management.
While I have some experience in managing projects, much how I do things is shaped by experience and trial and error. In reading the book much of what is said seems to be simple and common sense, but it’s amazing how often we don’t do the things that make the most sense. What is so valuable about the book is that it helps to understand why some things work and some things don’t. I recognized many of the situations in the book and wish that I’d had the insight that I gained from the book when I was dealing with those situations.
The book is divided into three major sections: “Plans”, “Skills”, and “Management” and within each section there are a series of examples and processes for dealing with all of the stages that a project goes through. Within my context I’m thinking of how this all can be applied to filmmaking, but the context of the book is software development. What strikes me about reading the book is how similar the processes are. I’ve done both software and film development, so I’ve seen it up close, but I didn’t realize that so many of the issues exist no matter what size the team is or what creative enterprise you are working on.
The philosophical core of the book is built around people and dealing with them. While some more manipulative techniques are described, there is always a warning about the short and long term risks of using those strategies. There is a refreshing candour and a lack of dogma in the methods described. I’ve read many books that excite me at first, but the ideas and philosophy are often more appealing than the practical application of the ideas. Berkun manages to strike a perfect balance between a management philosophy and a pragmatic approach. The book will definitely help you make things happen and get things done. You may also have more time to enjoy your work and your life.
While the book is well-written and structured, it feels like a nice long talk with someone who is being completely honest about the way things work. It’s the talk that you have with someone that shapes your whole professional life. The moment when you figure out that you can do a good job, treat people with respect, and not waste too much time and effort on things that won’t work. I’m going to keep the book close to my side and refer to it often.
technorati tags: , , , , ,

June 26, 2005 , , , ,

Spider

Spider

Clothes maketh the man and the less there is of the man, the more the need of the clothes.

David Cronenberg has had a fascinating career and it’s interesting to see how he’s progressed from low-budget horror films with creatures and exploding heads to more internalized horror and creepiness. With Spider, Cronenberg shows us the world of a recently-released mental patient brilliantly played by Ralph Fiennes. Spider is a broken man and Fiennes looks as though he is only being held together by the clothes that he wears. He barely speaks or looks at anyone in the film, but he is compelling to watch. The film is meticulous with production design that captures the sense that things are just a bit off. It seems to be set in contemporary times, but time and place seems to blend together and we’re never really sure exactly where or when we are. It’s an odd, subtle film that can be as enigmatic as the scribbles that Spider makes in his notebook.
technorati tags: , , ,

June 11, 2005 , , ,