Tarnation

TarnationTarnation probably isn’t the type of film you’d think that someone would make out of home movies over a couple of decades using iMovie. But then again, Jonathan Caouette doesn’t seem to be a typical person. Tarnation is a very personal documentary that is utterly compelling and amazing to watch. Every now and then while watching I thought that I was part of an elaborate cinematic joke. The film just seemed to be too perfect, too well-constructed to be a documentary. But it wasn’t fiction, as you could see the people in the footage growing up and growing old. There are lots of stories around about how much the film cost, but in some ways it’s beside the point. It’s an amazing film no matter what it cost to make. Intensely personal, the film is the story of Jonathan Caouette and his mother, Renee all told through the prism of video, music and family photos. It’s a wonderful, harrowing and heartbreaking cinematic experience that is probably best viewed in a theatre if you have a chance. After pouring so much out I wonder what Caouette will do next. But maybe that’s a good thing, now that he’s put it all out there he can start fresh.

October 12, 2004 , , , , ,

Atlantic Film Festival 2004

I’m in the middle of the Atlantic Film Festival this year and it’s a great time. Lots of amazing films and people and not much time to actually write about it! At this point in time I’ve seen about 37 films (a combination of features and shorts) and I will do my best to write about them over the next few days. I’m amazed at the quality of the programming and the smooth functioning of the Festival. It’s quite an achievement and I’m glad that I’m reaping the benefits. It’s the 24th festival and it just seems to keep getting better.

September 22, 2004 , ,

Bright Leaves

Ross McElwee shooting Bright Leaves

The reality is slipping away.

Ross McElwee is a very personal filmmaker. The first film that I saw by him, Sherman’s March (just out on DVD), was, on the surface, about the Civil War, but it’s really about McElwee and his relationship with women. He makes documentary films that are about him (but isn’t everything that we make and do really about us?) and in the process we find out a lot about ourselves and the people, places and ideas that he comes into contact with. His latest film is Bright Leaves, where he goes home to North Carolina to find out more about his family, tobacco, his friends and a Hollywood film that could be a sort of “secret home movie”. He works in a gentle, subtle style that could rub people the wrong way. Not me as I love it and settled in to the groove of the film right away. While his films are personal, they are also about filmmaking and contain many profound insights. The connection and disconnection that occurs when you film things hit home with me. In looking at footage of his father he thinks that “the reality is slipping away” and while the images remain, what about the memories. Does film preserve or destroy our memories. I became so disturbed by this that I actually didn’t videotape or photograph a lot of my family for almost a year. I wanted to be there and participate and not document what was happening. McElwee shoots and records most of the sound himself (with some assistance this time from his son) and his son Adrian also took the photo that is beside this entry. I really liked this film and I’m glad that I saw it.

September 16, 2004 , , , , , ,