Winter’s Bone

Winter's Bone

I went to see Winter’s Bone not knowing anything about it and was quite amazed at the film. It’s a low-buget beautifully-shot drama set in the Ozarks directed by Debra Granik. The heart of the film is an amazing performance by Jennifer Lawrence as the 17 year old woman who is looking for her father who disappeared. His skpping out on bail puts the family home, woods and her brother and sister at risk since the land and house were put up for his bail. His daughter needs to find him or lose the house and the woods that surround it.

Shot in a naturalistic style with a subtle and casual pacing, it gradually reveals details of the community and family as the mystery unfolds. It’s a gripping drama with characters that feel authentic and don’t follow the standard Hollywood conventions. One of the great things about a drama where the actors aren’t easily recognized is that there is an uncertainty introduced as you aren’t sure which characters are good or evil or even if those concepts have much meaning. It’s a story of courage, survival, family and community and provides a bracing glimpse into life in rural America.

 

December 19, 2010 , , ,

A Prophet

A Prophet

There hasn’t been a film by Jacques Audiard that I haven’t liked, so there was a pretty good chance that the third film by him that I’d be seeing, A Prophet, would probably live up to expectations.

In the film Read My Lips (Sur Mes Lèvres), he constructed a clever noirish story about a woman who is almost deaf and has lip-reading skills. Beautifully shot and with a great central performance by Emmanuelle Devos, it’s intimate and surprising with a plot that twists and turns.

The Beat That My Heart Skipped (De battre mon coeur s’est arrêté) focusses on a man who must decide between a life of crime and his dream to become a concert pianist. With an electric performance by Romain Duris, it takes the unlikely combination of crime and music and builds another surprising story about fascinating characters.

With A Prophet, Audiard has another great cast with interesting characters, but this time it’s set mainly in a French prison and again it subverts expectations with a plot that is not completely predictable. We watch a young Arab man (brilliantly played by Tahar Rahim) who enters the prison system and negotiates his way through the complex world of gangs and alliances over a period of years. Bringing elements of magical realism into the story it combines the violent and brutal world of prison life with another layer that adds a poetry and beauty to the story.

On one level it’s the story of a man who gradually changes into someone else, but during the film it’s a constant series of small and beautiful revelations that combine into a compelling story. We’re taken on a journey with our hero (or anti-hero) as he faces challenges from those who judge him based on prejudice and the lessons that he learns along the way. It’s a story of friendship, loyalty and survival, beautifully shot and constructed.

 

December 11, 2010 , , ,

My Top Ten Films from the 30th Atlantic Film Festival

Oxford MarqueeAs the summer winds down the excitement begins for the wide range of films that fill the screens during the Atlantic Film Festival in Halifax, Nova Scotia. This is the 30th festival and while I’m not sure what the exact number it is for me, it’s a safe bet that at this point I’ve attended about half of them. The amazing thing about the festival is how every year there are surprises in the films that appear and something that may be highly anticipated could disappoint and something that wasn’t on anybody’s radar becomes a favourite film. When you combine that with wonderful people and good weather you have one of the best 10 days of the year as everyone celebrates and shares and enjoys film. This year wasn’t as completely immersive as last year where there were more films to see, but overall there were some great films and most of the films were very much worth watching and discussing. Here are my favourite ten films from this year’s festival: Uncle Boonmee Who Can Recall His Past Lives, Modra, In a Better World, Heartbeats, Fubar 2, Incendies, Gainsbourg (vie héroïque), Undertow, Trigger, and The Myth of the American Sleepover.

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October 10, 2010 , , ,

Being the Change: Day 2 – Pugwash Movement Retrospective – No Strange Dream

Ru Ling Susie ChouThe morning workshop session that I attended at the Being the Change peace conference at Mount Saint Vincent University was a retrospective on the Pugwash movement. The workshop was set up and moderated by the wonderful Dennice Leahey (a corporate leader, member of the Order of Canada, active mentor, Pugwash resident and board member of the Pugwash Peace Exchange).

Eric Bednarski a documentary filmmaker currently based in Warsaw, screened a clip from the NFB documentary, The Strangest Dream which he directed. The film came about in 2005 when he spoke to an NFB producer about making a documentary film about the history of the Pugwash movement. The challenge was to figure out how to make a film about conferences and the way to make the film was by focussing on Sir Joseph Rotblat, who became the heart and soul of the project. Rotblat was the only scientist who was part of the Manhattan Project who left before it was completed. Rotblat was one of the signatories of the Russell-Einstein Manifesto which was issued on July 9, 1955 in London. The businessman and financier Cyrus Eaton wrote to Bertrand Russell to offer to host a conference in the town of his birth, Pugwash, Nova Scotia to give scientists a chance to work toward peace in a beautiful setting. The summer home was named “Thinker’s Lodge” and was one of the locations where the meetings took place at the first conference, which began on July 7, 1957.

The next presenter in the workshop was Ru Ling Susie Chou (Physicist, retired Professor of Cardiology at Columbia University Medical School) who is also the daughter of Pei-Yuan Chou, who was the sole participant from China at the first Pugwash conference in 1957. She established the development of the research history of physics leading up to the 20th century and the atomic bomb. She then gave an overview of the historical circumstances in China along with a personal perspective on her father, who was a Physicist. Pei-Yuan Chou was the first person from the People’s Republic of China to visit North America in 1957, which required special permission and negotiation to allow him to travel to Pugwash. Her father helped to build a platform for East and West to talk.

The final presenter in the workshop was Sandra Ionno Butcher, who gave another perspective on the Pugwash conferences and those who were involved with them. She highlighted the important fact that at the time talking amongst scientists and with those from other countries that were considered hostile was a radical notion. She shared how her son Joey was named after Joseph Rotblat (and wrote a moving open letter to her son on the death of Rotblat) and the remarkable person he was. She also talked about being present when Rotblat and the Pugwash Conferences received the Nobel Peace Prize in 1995. The historically important work that happened in Pugwash continues to this day and she connected the personal and the political in a compelling way.

July 11, 2010 , , , , , , , , , ,

Top Ten Films of 2009

While I’ve posted the list elsewhere, I didn’t really explain the choices. So here is the annotated collection of my favourite films from last year in alphabetical order: 35 Shots of Rum, (500) Days of Summer, Bright Star, Broken Embraces, An Education, The Invention of Lying, Moon, Pontypool, A Serious Man, and Tokyo Sonata.
It was a pretty good year for films.

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February 7, 2010 , , , , , , , , , , , ,

Pontypool

pontypool.jpg
Bruce McDonald‘s debut feature was the indie road movie / comedy Roadkill which took a heroine through rural Ontario looking for a band and the tag line for that film was “Move or Die”. His latest indie thriller / horror film, Pontypool has the tag line of “Shut Up or Die”. Based on the novel, Pontypool Changes Everything by Tony Burgess, it’s cleverly reworks the framework of a group of people trapped by infected humans outside. Instead of zombies, the threat in Pontypool is posed by “Conversationalists”, who become infected through language.

With most of the film taking place within a radio station during the morning show, it slowly increases the creepiness and establishes the premise as we get to know the talk radio host Grant Mazzy (in a bravura performance by Stephen McHattie), the engineer Laurel (Georgina Reilly in a great feature debut), and radio producer Sydney Briar (in a complex performance by Lisa Houle). The only other character to appear on camera is a doctor (played by Hrant Alianak) who has a bit of an understanding of what is going on. Embracing the constraints of a lower budget and a single location, McDonald manages to squeeze out a story that twists and turns and kept me gripped all the way through end credits.

One of the things that I really loved about the film is that it is unapologetic in being set in Canada, and that context is actually critical to how the events unfold. The film, as with most of McDonald’s work, has a sly sense of humour that keeps things from getting too serious and there are nice references to earlier films too. Toning down the multipaned over-the-top approach of The Tracey Fragments with a desaturated, but crisp look there is a breathtaking and elegiac interlude within the film that moved it out of the B-movie neighbourhood where it could have happily stayed. As I left the film, it changed my perception of language and it felt strange to speak, which is quite an achievement.

March 28, 2009 , , , ,