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Day 1 - Atlantic Film Festival 2016 - Maudie

Chris Campbell

Director Aisling Walsh and some of the talented women behind and in front of the camera.

Director Aisling Walsh and some of the talented women behind and in front of the camera.

With the customary gala introductions within the setting of the Rebecca Cohn Auditorium, the films of the 36th Atlantic Film Festival began last night. A Canadian-Irish coproduction about a Nova Scotia artist that was film in Newfoundland, it exemplifies the spirit of collaboration and pride within the reason. One of the special moments in the introductions was when Irish director Aisling Walsh brought many of the women from the production crew onto the stage before the film. Walsh, who previously directed Sally Hawkins in the BBC miniseries Fingersmith, shared some anecdotes from Hawkins (who plays Maud Lewis) and a note from Ethan Hawke (who plays her husband Everett Lewis).

Maudie is heartfelt and gentle in telling the story of Nova Scotia folk artist Maud Lewis. With a solid and transformative performance from Sally Hawkins as Maud, she is the heart of the film. The rougher edges of the story and the relationship softened for the film with her painting and key people providing the framework for what we see. With a carefully-balanced script from Sherry White, it provides space for strong performances from the leads with a wry sense of humour taking the edge off of the often harsh and abusive relationship of the couple. The location shooting and beautiful settings and sets forming a backdrop for what happens, it's a biography that fills in important details with selective focus on the human elements while raising the profile of an artist who deserves a higher profile.

It was a fitting and enjoyable start to the festival this year which is now fully underway. The packed theatre enjoyed the film and gave director Walsh a standing ovation at the end of the screening. It's always great to see films from the region on the big screen and it's even better in front of a full and appreciative house.

36th Atlantic Film Festival Features 2016

Chris Campbell

Things to Come

Things to Come

The 36th Atlantic Film Festival begins on Thursday, September 15 and there are a lot of films to see. I went through the films in the Atlantic stream and the Galas earlier, so now it's time to take a look at some of the other films playing during the festival. You can divide the features into several streams with Essential Presentations (featuring great Atlantic films which I mentioned in my Atlantic preview), Special Presentations, Quebec Cinema, Features, and Documentaries. There is also the addition of the Restored! stream that has one film, John Waters' debut feature from 1970, Multiple Maniacs which screens on Friday, September 16 at 3pm.

Going through the list of features can be overwhelming with a film festival and it's tough to choose. A well-balanced film diet should have a range of films from the region, some dramas, some familiar faces, and some things that you know nothing about. The films are all chosen for a reason and discovering new filmmakers and actors is one of the true pleasures of a film festival. It reveals whole new cinematic worlds to explore. Here are a few of the films that look intriguing to me this year.

Mia Hansen-Løve directs the fearless Isabelle Huppert in Things to Come (L'Avenir) which is playing Sunday, September 18 at 6:30. It's her first film after Eden, which was the 2014 film that looked at the French house music scene in the 1990s, inspired by her DJ brother who was part of the scene. Her second feature, The Father of My Children won the Jury Special Prize in the Un Certain Regard section at Cannes in 2009. Her third film was the beautiful shot coming of age story Goodbye First Love which starred Lola Créton and was also partially autobiographical. With Things to Come it seems to be a bit more fictional with the story of a philosophy teacher played by Huppert whose life begins to disintegrate after her husband leaves her and her children move out. Hansen-Løve won the Silver Bear in Berlin this year for Best Director which bodes well for Things to Come.

The latest film from Ann Marie Fleming, the animated feature Window Horses: The Poetic Persian Epiphany of Rosie Ming is an ambitious and colourful film that is showing on Saturday, September 17 at 4:30pm. Her feature documentary The Magical Life of Long Tack Sam was a wonderful journey into her family background and it mixed traditional documentary elements with animation to tell a fascinating and moving story. With Window Horses the story is about peace, love, and understanding with a young Canadian poet invited to perform at a poetry festival in Iran. The voice cast includes Sandra Oh as Rosie, Nancy Kwan as her grandmother Gloria, and Shohreh Aghdashloo as a Women's Studies professor at the University of Tehran with a love of Persian Poetry.

On Friday, September 16 at 1:30 pm the Chinese / Canadian coproduction Old Stone is playing. It's a feature writing and directing debut from Johnny Ma who has made a psychological thriller about a taxi driver caught up in the bureaucratic nightmare of criminal responsibility in China's legal system. The events spring from the taxi driver's moral decision to take the victim of an accident to the hospital instead of leaving them to die. Mixing social realism and film noir, it should be a thought-provoking and engaging experience.

Zach Clark's followup to his dark 2013 mublecore comedy White Reindeer is Little Sister, playing on Thursday, September 22nd at 6:45 pm. A film about a young nun estranged from her family after becoming a nun who returns home to where she was a young goth. It promises to be understated with a sense of humour and a grounding in reality. It premiered at South by Southwest this year to good reviews and is a good choice if you like understated character-driven indepent films.

A Brooklyn-based crime comedy directed by Ingrid Jungermann, Women Who Kill is the timely story of two true crime podcasters. Ex-girlfriends, the podcasters struggle with the commitment-phobic member of the team suspecting her partner's new girlfriend is a serial killer. It should be fun and writer / director Jungermann also plays the commitment-phobic podcaster.

Alison McLean's New Zealand film The Rehearsal is playing on September 21st at 1:30pm. Starring James Rolleston (who shone in Taika Waititi's New Zealand film Boy in 2010) as an acting student who draws on his girlfriend's family scandal for inspiration and faces some moral challenges. Based on a novel by Eleanor Catton, it also stars Kerry Fox and the drama should be a great showcase of contemporary New Zealand filmmaking.

In the Special Presentations section there is a great range of acclaimed films that have played at film festivals around the world from some of the top directors today.

Julietta_02.jpg

Pedro Almodovar has Julieta, based on three short stories by Alice Munro from her 2004 book Runaway. Screening Monday, September 19 at 9:30, it's already been selected at entry for Best Foreign Language Film for Spain for the Academy Awards next year and debuted at Cannes this year. With Almodovar's love of melodrama, colour, and the stories of women, it should be a feast for the eyes and the heart and a fascinating adaptation of Alice Munro's perfectly-crafted short stories.

The German / Austrian production Toni Erdmann, directed by Maren Ade plays on Friday, September 16 at 9:15. It's the German entry for the upcoming Academy Awards next spring and the comedic drama tells the story of a father reconnecting with his daughter by playing elaborate pranks. It received critical acclaim and won the FIPRESCI (International Federation of Film Critics) Grand Prix at Cannes this year which marked the first time a film directed by a woman won that prize.

American auteur Jim Jarmusch has a drama and a documentary playing this year. Paterson is his drama starring Adam Driver as a poet and bus driver. That plays Wednesday, September 21st at 7pm. His documentary about Iggy Pop and the Stooges, Gimme Danger, is playing on the final day of the festival, Thursday, September 22nd at 9pm.

Olivier Assayas' Personal Shopper plays Saturday, September 17 at 9:30 pm. His second collaboration with Kristen Stewart who also starred in his Clouds of Sils Maria which played at the festival in 2014, it seems to cover similar territory with a bit more supernatural strangeness thrown into the mix. Assayas won Best Director at Cannes this year for his work on this film which he also wrote.

Park Chan-Wook adapts Welsh writer Sarah Waters' novel and changes the setting to Korea in the 1940s in The Handmaiden. His first film since his 2013 English-language debut Stoker which remade Hitchcock, The Handmaiden is an erotic thriller that should be visually stunning and unnerving as well.

Ken Loach's film I, Daniel Blake finds the auteur back in familar social realist territory with the story of a working man who falls ills and seeks out of work sickness benefits as he deals with an unfair system. The film won the Palme D'Or at the Cannes Film Festival this year and marks a return of Loach's work to the Atlantic Film Festival after his wonderful Scottish drama The Angel's Share which played in 2012.

These are only a few of the films playing during the 36th edition of the Atlantic Film Festival. Making the decisions of what to see is always a challenge, but once you're in the theatre watching a film, that is the true reward as you experience some of the best films in the world over a week.

36th Atlantic Film Festival Galas 2016

Chris Campbell

This year marks the exciting return of the gala program to the Oxford Theatre for the Atlantic Film Festival. While a bit less convenient than having everything happening at Park Lane, it gives screenings an extra bit of excitement and glamour with the classic theatre as one of my favourite places to see a film. If you're going to the gala screening and the parties afterwards, it makes a lot more sense to have the event in a different theatre and it makes it all just a bit more special.

The opening night gala is the only gala event that doesn't happen at the Oxford with the screening of Maudie happening at the even more glamorous Rebecca Cohn Auditorium. It screens on Thursday, September 15 when the Atlantic Film Festival begins and it's the only day with one film, so the only decision you need to make is whether to go or not. Directed by Irish director Aisling Walsh with a screenplay by Newfoundland's Sherry White, it promises to be a beautiful biography of one of the most acclaimed Canadian folk artists. Set in Nova Scotia, but shot in Newfoundland with Sally Hawkins as Maud Lewis and part-time Nova Scotia resident Ethan Hawke as her husband Everett, it's the perfect film to kick off the 36th edition of the festival with the opening night party after the film at the Art Gallery of Nova Scotia surrounded by Maud Lewis' art.

The Atlantic theme continues with the first of the gala screenings at the Oxford on Friday, September 16 being Bruce McDonald's Weirdos, a Nova Scotia road movie set in the 1970s. Written by Daniel MacIvor, the nostalgic film follows the coming of age of Kit and Alice as they hitchhike to Cape Breton in July 1976. Shot in black and white by Becky Parsons and with a proudly Nova Scotia crew, it should have something for everyone. The gala party is in the Compass Room at Casino Nova Scotia with a "disco inferno" theme which should be fun and colourful. There is an encore, non-gala screening of the film that is also happening on Saturday night at 6:30 pm at Park Lane.

Photo from American Honey by Holly Horner

Photo from American Honey by Holly Horner

The Saturday night gala is Andrea Arnold's latest film, American Honey. With themes similar to her amazing Fish Tank, but set in the US, the film won the jury prize at the Cannes Film Festival this year. With her naturalistic shooting style and a mixture of experienced and new, young actors it should a great looking and thematically challenging. Her earlier films, Red Road and Fish Tank used her understated approach for character studies of complex women. Her remarkable adaptation of Wuthering Heights stripped out plot details to focus on the emotional side of the characters. With her bold and uncompromising direction combined with a road trip across the American midwest as a backdrop, the film promises a new chapter in her fascinating career. It also features a soundtrack that is getting rave reviews which will pair nicely with the Festival Music House Atlantic which happens later on Saturday night for festival pass holders and Strategic Partners participants only.

Ingrid and the Black Hole from the Reel East Coast Shorts Gala

Ingrid and the Black Hole from the Reel East Coast Shorts Gala

The CBC presents the Sunday Night Gala which is the showcase of Reel East Coast Shorts, a collection of the best short films from the region in the past year. There are nine short films in the program that range from documentary, to animation, drama, and comedy. With introductions from the filmmakers and in the packed Oxford Theatre, it's a wonderful night to see the breadth and depth of the filmmaking talent in the Atlantic provinces on the big screen. There is also a non-gala encore screening on the final day of the festival on Thursday, September 22nd.

Photo from Theatre of Life by Elie Yonova

Photo from Theatre of Life by Elie Yonova

On Monday, September 19 the gala at the Oxford is the NFB documentary Theatre of Life, an inspiring film from director Peter Svatek about a soup kitchen in Milan that grew out of Expo Milan 2015. Chef Massimo Bottura challenged other chefs to transform the food that would be discarded into meals for those in need in Milan. It's a film that should inspire with the stories told and the lives that changed in a deeply human way.

Tuesday, September 20 has the latest film from Québecois cineaste Xavier Dolan with It's Only The End of the World (Juste La Fin du Monde) featuring an all-star French cast in an adaptation of a play. Starring Nathalie Baye (who was also in Dolan's Laurence Anyways) as well as Gaspard Ulliel, Léa Seydoux, Vincent Cassel, and Marion Cotillard as members of a dysfunctional family. The film sharply divided critics at Cannes (as most of Dolan's films have). It should be intense and it ultimately won both the Grand Prix and Ecumenical Jury prizes at Cannes.

The Wednesday night gala is Michael Melski's documentary Perfume War which tells the stories of Captain Trevor Greene and Barb Stegman who work together after Greene faces horrific violence while serving in Afghanistan and works to recover from his injuries. The tickets for the gala have already sold out (but pass holders can still attend) and there is an encore, non-gala screening taking place on Thursday, September 22nd.

The closing film of the 2016 Atlantic Film Festival is Kenneth Lonergan's drama Manchester by the Sea, starring Casey Affleck and Michelle Williams. Set north of Boston, the working-class New England drama is Lonergan's first film since his critically-acclaimed and haunting Margaret, released in 2011. A story of loss, isolation, and transformation, it is a powerful film that is receiving great reviews for the cast and story that it tells. The closing night party happens later at Pacifico as it all wraps up for another year.

This year has another great lineup of galas to choose from along with all of the other films. This year the festival has several pass options including one that will allow you to see all of the Oxford galas if you don't want to immerse yourself fully with the full pass. These high profile films form the glamourous stream of the festival for those who love red carpet events along with their cinematic excellence.

36th Atlantic Film Festival Atlantic Program 2016

Chris Campbell

The 36th edition of the Atlantic Film Festival is coming up and the Atlantic Program was recently announced. It's filled with a mix of familiar names and emerging talent from the Atlantic region and it's the core of the festival and is a unique opportunity to immerse yourself in the stories that we make here. The bulk of the program are shorts with 10 separate programs with drama, animation, and documentary all present. There are also feature documentaries and a range of feature dramas as well.

The festival begins this year with the highly-anticipated drama Maudie, directed by Irish director Aisling Walsh, and telling the story of Nova Scotia folk artist Maude Lewis. The gala screening taking place in the Rebecca Cohn Auditorium on September 15 with the party at the Art Gallery of Nova Scotia where her works are on display. It stars Sally Hawkins as Maude Lewis with Ethan Hawke as Everett Lewis and written by Newfoundland's Sherry White who wrote and directed Crackie which played at the festival in 2009.

The Friday night gala on September 16 (with an encore screening the following day) is also an Atlantic film and marks a return to the big screen of the Oxford Theatre for festival galas with Bruce McDonald's Weirdos, written by Daniel MacIvor. McDonald and MacIvor were also the writing and directing team behind the great Trigger which played at the festival in 2010. Weirdos is set in 1976 in Nova Scotia and is in black and white and a road movie (like MacDonald's breakout feature Roadkill). Shot by Becky Parsons and featuring young leads, it looks like a quirky and fun film that I'm looking forward to seeing on the big screen.

Friday also features a range of other Atlantic features with Brigitte Berman's documentary about legendary Newfoundland actor Gordon Pinsent, The River of My Dreams playing in the early evening. Paco Arango's Nova Scotia film The Healer is also screening as part of Strategic Partners and it's the story of a man with the gift of healing who moves to Nova Scotia as he considers what his true purpose in life is. Justin Oakey's Newfoundland film Riverhead is playing later in the evening. Oakey's earlier film, the dramatic short Flankers played at the film festival in 2014 and Riverhead promises the same great performances and striking scenes on location.

In Saturday Atlantic documentaries there is Atlantic, which looks at fishing communities in Newfoundland, Ireland, and Norway and how the resources of fish and oil impact those communities. In the evening John Walker's documentary Quebec My Country Mon Pays has the local filmmaker turn his camera on his own story growing up in Montreal during the Quiet Revolution. Walker brings a perspective on the complex relationship and feelings people in Quebec have with each other and the rest of Canada.

There are also great Atlantic dramas playing Saturday night with Justin Simms' Away From Everywhere, an adaptation of Chad Pelley's acclaimed debut novel from Newfoundland. Starring Shawn Doyle, Jason Priestley, and Joanne Kelly (who was in last year's Closet Monster as Brin Madly) it should be another strong drama from Simms whose features Down to the Dirt and Hold Fast also played at the festival along with last year's NFB documentary Danny (that Simms co-directed with William D. MacGillivray). The gritty drama Hunting Pignut from Martine Blue rounds out the Atlantic films Saturday evening. Featuring Joel Thomas Hynes as the titular gutter punk, it tells the story of a 15 year old misfit played by Taylor Hickson, who goes on a quest to find Pignut after he steals her father's ashes out of his urn. Martine Blue's short dramedy Me2 played at the festival in 2014 and was shot by Stephanie Weber Biron, who was also the cinematographer for Hunting Pignut.

Marigolds

Marigolds

On Sunday, September 18, the Reel East Coast Shorts Gala plays at the Oxford (with an encore screening on Thursday, September 22) with the best Atlantic shorts. Including films from all 4 Atlantic Provinces it has animation, documentary, drama, and comedy. From Teresa MacInnes and Kent Nason's latest documentary Mabel, to Corey Bowles' satirical Black Cop, and Jillian Acreman's quirky Marigolds to name a few of the films, it's a program that shows the range of talent this part of the country has produced.

The 6 Reel East Coast Shorts, NextGen Shorts, and Viewfinders shorts programs play throughout the festival with more of the best of the region. An amazing collection of work including films from AFCOOP's outstanding FILM 5 program, graduates of NSCC's Screen Arts Program, and NSCAD University. There is something for everyone in the mix of films screening with those programs and they also provide an opportunity to meet and talk with the filmmakers after seeing them introduce their films.

Ashley McKenzie's feature film debut, Werewolf is screening on Sunday, September 18. It will be interesting to see her naturalistic and gritty vision after her outstanding series of shorts expanded into a feature about a couple in their 20s dealing with drug addiction. Shot in Cape Breton on a low budget and starring Andrew Gillis and Bhreagh MacNeil it is sure to be a highlight of the festival.

The Atlantic program also features four films from the 1K Wave Atlantic initiative from Women in Film and Television Atlantic and pUNK Films. Announced in March at the Women Making Waves Festival, the challenge was for five women make five feature film in five months. On Monday afternoon Nicole Steeves' feature directing debut, Head Space plays. Starring Struan Sutherland as an agoraphobic former comedian and tv pitch man who has to venture into the outside world, it should be both funny and heartwarming. On Tuesday, September 20th in the afternoon Harmony Wagner's PEI drama Singing to Myself tells the story of a disconnected young deaf woman who befriends a precocious musician. The followup to her feature debut Kooperman that Wagner codirected last year, Signing to Myself looks like it will be closer to her beautiful short film Queen of the Crows which played at the festival in 2013. self portrait in may (screening on Wednesday, September 21) is a contempletative look at self through the eyes and ears of an artist. It should be a unique and beautifully crafted film drawing on the Busierre's embrace of the contraints of the challenge . The final film screening from the 1K Wave Atlantic Challenge is Koumbie's drama Ariyah and Tristan’s Inevitable Breakup playing on Thursday, September 22nd. It tells the story of the ups and downs and modern romance as a couple deals with an unintended pregnancy.

Monday evening Neal Livingston's 100 Short Stories plays with his documentary cinematic collage covering a range of topics from Capitalism, fracking, to life in Atlantic Canada to name but a few.

Three Atlantic documentaries screen on Tuesday. Alan Collins' documentary My Life So Far tells the story a young Haitian Canadian woman who returns to the country of her birth after growing up in Canada with her adoptive parents. Rwanda & Juliet is Ben Proudfoot's film about the staging of Shakespeare's Romeo and Juliet in Rwanda with a cast of students with Hutu and Tutsi backgrounds (and it also screens on Wednesday as part of the Viewfinders stream). Michael Fuller and Neil Rough's Myrtle Beach shows a range of characters from the vacation community on the coast.

The Wednesday night gala on September 21 is Michael Melski's documentary Perfume War. The story of two friends, war, recovery, and how perfume became a way to make a difference in Afghanistan, and their own lives as they face many challenges. The inspiring story is playing on the big screen at the Oxford. Another Atlantic documentary screening Wednesday is John Hopkins' NFB documentary Bluefin looks at the resurgence of Bluefin in "tuna capital of the world", North Lake, Prince Edward Island. Paul Kimball's thriller Exit Thread rounds out the films of the Atlantic program for Wednesday.

On the final day of the festival the feature documentary, Spectres of Shortwave from Amanda Dawn Christie explores the former magical and intriguing shortwave towers outside of Sackville, New Brunswick. Using innovative techniques to record sound and shooting on film, her documentary will provide an exploration of the iconic structures that have vanished from the landscape.

Even if the Atlantic Film Festival only consisted of the Atlantic Program, it would be almost overwhelming with something for everyone. But it's just the local heart of a much bigger festival that also features more films from the rest of Canada and around the world. I'll have some reflections on the rest of the films coming up at the festival this year soon.

On Set

Chris Campbell

There is a special feeling when you are on a film set. A balance of anticipation, excitement, and calm. It feels comfortable while also being in a state of mind where you are completely present. You're surrounded by talented and creative people helping to bring a story to life and it's some of the most fun that you can have. A few months ago I was on a film set in a supporting role, mixing sound. I'm on a set often as a teacher, but that's a much different role than the ones I filled while working on films. In recent years most of my film work has been on the editing side which is the (generally) calmer and quieter side of production. I love editing and working within the constraints of footage, but there is something magical about being on set.

It has been a long time since I'd been on set in a role other than an observer or supervisor, so when asked to record sound for one of the Atlantic Filmmakers Co-operative FILM 5 films, I was eager to do it. Sound is where I started to learn about film production at the New Brunswick Filmmakers' Co-operative when I just finished high school. Back then in the 80s we shot on 16mm film and recorded sound on magnetic tape using a Nagra sound recorder. It was beautiful.

Things have changed a lot since then and now not many people shoot on film, but the techniques and processes remain mostly the same even though everything is a lot more digital now. The key similarity is that many films still shoot "double-system", which is where the picture and sound are recorded separately and synchronized later. That's why you use a slate with clap sticks as the visual of the sticks coming together and the sound of them snapping is the reference point to have the picture and sound match up. In the old days we'd mark an X on the frame of film and the frame of magnetic stock and line them up, but now it's done within editing software.

The FILM 5 program combines experienced crew members with emerging filmmakers to provide a framework for learning and creativity. The films are short and the production schedule is tight with only a couple of days for shooting. It's a chance to mentor and practice while making a film out in the world. On this production, named "Black Guitar", I was working with many graduates of the NSCC Screen Arts program where I teach. The producer was Todd Fraser, and the writer/director was Devin Casario. Working with them outside of school was great and it was a nice to be in a role where I was only responsible for a small part of the whole film. I had the talented Dan Langlois who I was mentoring in the sound department as boom operator and he was invaluable in capturing the sound on this production that was shot all on location in Halifax.

A film crew is a finely-tuned machine with each person playing their role and the interaction of the parts on set all managed by the First Assistant Director. She keeps things focussed and running smoothly by controlling what happens when and always keeping safety and efficiency in mind. A good 1st AD sets the tone for the production and on this production Nicole Close did an amazing job keeping us safe and getting the shots that we needed in the most efficient way possible. The conditions were challenging at times as we were shooting over two evenings and there was rain (which gave the film a great look).

We were lucky to have one of the top cinematographers in the country, Christopher Ball, as director of photography. Being in the sound department meant that I was close to the camera most of the time as while it's important to be able to hear everything, the sound department and their equipment can't be visible in the shot at all, so you always have to be aware of where the camera is, what it is seeing, and any effect that you will have on the lighting or the movement of the actors or the camera. Christopher Ball and his team created some beautiful shots both inside and outside with understated lighting in challenging conditions in terms of time and weather. It's at times like that when the experience and professionalism of the crew makes it a wonderful experience in making a film.

One of the other crucial elements for a successful film production is food, and we had some great meals. For those outside of the industry, it may seem like a luxury to have snacks and food readily available on set, but when you have a group of people working twelve hour days with most of that time spent moving around, it's important to stay hydrated and fed to maintain your energy. It's physically and mentally demanding and not having to worry about what to eat is important. Having a warm meal is a wonderful thing especially when you've been outside in the rain working.

When you teach people you have a different relationship with them as you're a resource and you encourage people to do their best and to learn. As people get out into the world and working one of the best things to see is how they continue to learn as they work and help other people. On the set of the film during breaks I was able to catch up with many of the graduates who I had taught to find out how they were doing. Their range of experiences and future plans are inspiring and encouraging in the face of an industry that is going through some large challenges.

People don't go into the filmmaking world because it's a way to make a lot of money but because they love telling stories. Figuring out the balance between a career that pays the bills and one that sustains the soul is common for many people. Being able to work with talented people and to help them on that journey with great films being produced along the way is one of the best parts of my job. I'm so grateful that I was able to play a different role and immerse myself in this world again.

Black Guitar premieres at the 36th Atlantic Film Festival in Halifax, Nova Scotia on Friday, September 16 at 3:30 pm as part of the Reel East Coast Shorts Program 1.